Engraving, Marking and Raster Work

Raster engraving, line spacing and DPI, overscan and time, depth, photographs and dithering, rotary work and galvo marking.

Engraving, marking and cutting

Cutting goes through the sheet along a line; engraving removes a thin layer to leave a mark or a relief; marking changes the surface without removing material (color change, oxide, annealing). The same laser does all three with different settings: lower power and higher speed for engraving, with the focus on the surface. Engraving is also usually the slowest part of a job, because it covers an area, not a line.

ProcessWhat changesTypical use
Vector engravingA line is traced at lower power: a scored lineOutlines, scoring, fold lines, signatures
Raster engravingThe head sweeps back and forth line by line, switching the beam on and off or varying powerFilled areas, text, photographs, textures
Deep engraving or reliefRepeated passes remove material to a depthStamps, molds, signs, 3D relief
MarkingSurface color change, anneal, foam, oxideMetal marking with fiber; plastic marking

Raster engraving

A raster engraving is made of closely spaced parallel lines. The distance between them, the line interval, sets the resolution: 254 lines per inch is 0.1 mm. The pulses along each line must overlap (see Power, Speed, Focus and Assist Gas) and the lines must touch or overlap too, or the area shows stripes.

Worked example: the useful resolution

The spot of a 2 in lens is about 94 µm wide (see How Laser Cutting Works and Laser Types). Lines closer than the spot overlap and blend; the finest distinct lines are about one spot apart: 25.4 ÷ 0.094 = 269 lines per inch. Setting 600 dpi on this laser does not give finer detail than about 269 dpi: it only makes the engraving slower and burns the surface deeper from overlap. A larger spot (a longer lens, a defocused beam) gives a smoother fill and a lower useful resolution.

Resolution and time

Engraving time is the number of lines times the time of each line. A line is the width of the area plus the overscan at each end, where the head accelerates and turns around. Doubling the resolution doubles the number of lines, so doubles the time.

Engraving time against resolution01002003004005006000246810resolution (lines per inch)time (minutes)150 mm/s300 mm/s500 mm/s
Engraving time of a 50 mm square against resolution, for three speeds: the time rises in proportion to the resolution.

Worked example: a 50 × 50 mm square at 300 mm/s

Lines per inchLine intervalNumber of linesTime per lineTotal time
1500.169 mm2950.26 s1.3 min
2540.100 mm5000.26 s2.2 min
3000.085 mm5910.26 s2.6 min
5000.051 mm9840.26 s4.3 min
  • At 254 lines per inch (0.1 mm) there are 500 lines; each takes 0.26 s (a 50 mm line plus 5 mm of overscan each side at 300 mm/s, with 5 000 mm/s² acceleration): 2.2 minutes.
  • Without overscan the line would be 0.23 s and the total 1.9 minutes, but the ends of each line would be ragged because the head has not reached speed. Overscan is a necessary cost.
  • Raise the speed to 600 mm/s and the total falls to 1.8 minutes if the acceleration is high enough; with a modest acceleration of 1 000 mm/s² it is 4.1 minutes (see the effect of acceleration in Power, Speed, Focus and Assist Gas).
  • Compare cutting: the outline of the same square (200 mm at 20 mm/s) takes 10 s. A filled area costs far more than a line.
  • Reduce the area, not the resolution, where you can: engrave only what shows, and use a pattern of lines where a solid fill is not needed.

Depth and power

The energy delivered per unit area is Ea = P ÷ (v × line interval) in J/mm². Dividing by the energy needed per cubic millimeter (see Materials, Thickness and What a Laser Can Cut) gives an upper bound on the depth removed in one pass: depth ≈ η Ea ÷ Ev.

Worked example: engraving plywood

  • A 30 W beam at 300 mm/s with a 0.1 mm interval delivers Ea = 30 ÷ (300 × 0.1) = 1.00 J/mm². For plywood (Ev ≈ 1.11 J/mm³ and η = 0.5) the upper bound on depth is 0.5 × 1.00 ÷ 1.11 = 0.45 mm per pass; real engravings are shallower (about 0.1 to 0.2 mm) because much of the energy chars the surface rather than removing it.
  • For a 1.0 mm deep relief at 0.45 mm per pass you need about 3 passes (more in practice); at double the energy (60 W at 150 mm/s, 4.0 J/mm²) the bound is 1.80 mm per pass.
  • Burning and smoke rise with energy. Several faster, lighter passes give a cleaner engraving than one slow heavy one, and refocus between passes (the surface is lower).
  • Test on scrap and note the depth for each setting.

Images, dithering and gray

A laser is either on or off (or at a chosen power). To reproduce a photograph it has to show gray levels, which it does in two ways: by varying the power pixel by pixel (grayscale mode; works on materials that darken smoothly with power, such as wood and anodized metal) or by dithering, a pattern of dots whose density imitates gray (works on all materials).

MethodHow it worksBest for
ThresholdEach pixel is black or whiteText, logos, line art
Floyd–Steinberg and other error diffusionSpreads each pixel’s error to its neighbors: a fine random-looking grainPhotographs on light, hard materials
Ordered dither (halftone)A regular pattern of dots whose size follows the grayCoarse, controllable, good at low resolution
Grayscale (variable power)Power follows the gray level of each pixelWood, leather, anodized aluminum
Relief (depth map)Gray level is depth: several passesStamps, 3D portraits

Worked example: how many gray levels?

  • A halftone cell of 4 × 4 dots can show 17 gray levels (from no dots to all dots). At 254 dpi the cell is 0.4 mm across, so the picture has an effective resolution of 64 cells per inch: gray levels and detail trade against each other.
  • A photograph of 3 000 pixels across 100 mm has 762 pixels per inch, 3.0 times more than the 254 dpi engraving: the software must resample it. Resample before dithering, not after, to avoid moiré patterns.
  • Prepare the image: increase the contrast, lighten midtones (engraving darkens the picture), sharpen a little, crop, remove the background; test a small area. A dark, low-contrast photograph engraves as a muddy mass.
  • Engraved color depends on the material: wood darkens, acrylic frosts white (best seen from the back on a dark backing), leather browns.

Quality problems

SymptomLikely causeTry
Stripes across a fillLine interval larger than the spot; uneven speed; loose beltReduce the interval; slow down; tighten the belts
Doubled or ragged vertical edgesTwo-way scanning with a delay between the beam and the positionAdjust the scan offset (below) or scan one way only
Dark, smoky engravingToo much energy, poor air, residueLower the power, add air, mask the surface, clean afterwards
Weak, patchy engravingOut of focus, dirty lens, uneven surfaceRefocus, clean the lens, flatten the work
Text blurredResolution too high or the spot too largeUse the resolution of the spot; a shorter lens
Shadow around the engravingSmoke deposits and heat stainingMask with transfer tape; stronger extraction; sand lightly

Worked example: the scan offset in bidirectional engraving

The beam switches a small time after the controller commands it (the “latency”, about 1 ms in the electronics and the tube). At 300 mm/s the beam is therefore late by 300 × 0.001 = 0.30 mm. On a line going right the marks are shifted to the right; on the next line going left they are shifted to the left: vertical edges appear doubled with a gap of twice that, 0.6 mm. At 600 mm/s the shift doubles to 0.60 mm. Most controllers have a “scan offset” table by speed: engrave a vertical line pattern at several speeds, measure the doubling and enter half of it.

Rotary engraving

A rotary attachment turns a cylindrical object (a glass, a tumbler, a bottle) under the beam, so that the Y axis of the file becomes the rotation of the object. It must be told the diameter of the object, or the picture comes out stretched, because one turn of the roller or chuck is a different distance on the surface for different diameters.

Worked example: a 70 mm tumbler on a roller rotary

  • A roller rotary turns the object by friction, so the surface of the object moves exactly as the surface of the rollers does: the software needs the diameter of the roller (here 20 mm), not of the object. A chuck rotary grips the object and turns it directly, so one step moves the surface by π D ÷ steps, which depends on the object diameter.
  • For the 70 mm tumbler on a chuck rotary with 3 200 steps per revolution one step is π × 70 ÷ 3 200 = 0.069 mm of surface, and the full wrap is π × 70 = 219.9 mm wide at most. If the software is told the wrong diameter (say 40 mm for a 70 mm object) the picture is stretched by 1.75 times along the surface.
  • Cylinders of different diameter need different settings:
Object diameterCircumferenceSurface per step on a chuck rotary (3 200 steps/rev)
40 mm125.7 mm0.039 mm
70 mm219.9 mm0.069 mm
90 mm282.7 mm0.088 mm
  • Focus on the top of the cylinder. The surface curves away from the beam at the sides, so a wide design loses focus and power toward the edges: keep it within about 10° each side of the top: the surface falls away from the focus by r(1 − cos θ), which is 0.53 mm at 10° and 4.69 mm at 30° for the 70 mm tumbler, against a depth of focus of only about 1 mm (see How Laser Cutting Works and Laser Types).
  • Keep tapered objects level with a support, or the focus changes along the length.

Galvo and fiber marking

A galvo scanner moves the beam with two small tilting mirrors, so the head does not move: the beam travels at meters per second over a field of 100 to 300 mm. Fiber galvo markers are the standard for engraving and marking metals and plastics in industry (serial numbers, QR codes, logos).

Worked example: marking time and pulse spacing

  • At 3 000 mm/s a galvo covers a 110 mm line in 0.04 s; a logo of 60 filled lines 20 mm long takes about 0.4 s plus the mirror jumps: 6.0 to 12.0 s. A CO₂ gantry doing the same fill at 300 mm/s would take ten times longer.
  • A fiber marker at 200 kHz and 3 000 mm/s places pulses 15 µm apart. With a spot of about 40 µm (a 160 mm lens, 7 mm beam, M² = 1.3) the overlap is 63 %: a smooth line.
  • Color marking on stainless steel: a short pulses and a precise energy grow a thin oxide layer, and its thickness gives interference colors. As a guide, 35 nm looks straw, 55 nm gold, 75 nm purple, 95 nm blue and 120 nm light blue: a laser can write these as colors without removing metal.
  • Anneal marking (dark, smooth marks on stainless) and deep engraving (several passes) are other fiber modes; plastics can be marked by foaming or carbonizing.

What to engrave and how it looks

MaterialLaserResult
WoodCO₂, diodeDark brown; grain shows; hardwoods darker and more even
Cast acrylicCO₂Frosted white; viewed from behind, better
LeatherCO₂, diodeBrown to black, burnt smell
GlassCO₂Frosted, may chip; coat with wet paper or soap film to help
Anodized aluminumCO₂ (removes the dye layer), fiberWhite or silver mark on a colored surface
Painted or coated metalCO₂, diode, fiberRemoves the coating to show the metal; used for labels
Bare steel, brassFiber; CO₂ with a marking sprayFiber: anneal or engrave. CO₂ with a spray: fuses a black mark
Stone, slate, ceramic tileCO₂, diodeWhite dots on dark stone; dust
Two-color laser plasticCO₂Top layer removed to show the core color: signs and badges

Related

FAQ

What resolution should I use for engraving?

About the size of your spot: for a 2 in CO₂ lens that is roughly 250 lines per inch (0.1 mm). Higher values only slow the job and over-burn; lower values show stripes.

Why does engraving take so long?

A filled area is hundreds of lines, each needing acceleration and overscan. Time is proportional to resolution and area. Raise the speed (and acceleration), lower the resolution to the spot size and engrave only the necessary area.

Why are my engraved vertical lines doubled?

In two-way scanning the beam lags the commanded position by speed × latency, and the offsets are opposite on alternate lines. Set the scan offset for that speed.

How do I engrave a photograph?

Resample it to the engraving resolution, raise the contrast, dither it (or use grayscale mode on wood), test on scrap, and engrave at light power with the focus on the surface.

References

  • Steen, W. M. and Mazumder, J., Laser Material Processing, Springer (marking and engraving).
  • Laser makers’ and software documentation on dithering, scan offset and rotary setup (LightBurn, RDWorks, Epilog and Trotec manuals).
  • ISO 11145 (laser vocabulary), ISO 15724 (laser marking of surfaces); Floyd, R. W. and Steinberg, L., “An adaptive algorithm for spatial grayscale”, 1976.

Last reviewed: October 2026. Times, depths and colors are typical and illustrative: test on scrap.